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1960

Dial “Y” for Sculpture, YM & YWHA

1964

Exhibition

October 21st, 1964

October 21 – November 24, 1964, Dial “Y” for Sculpture, YM & YWHA. Artists include Agam, Peter Agostini, Chryssa, Mark DiSuvero, Letty Eisenhauer, Esbenson, Herbert Gesner, Chuck Ginnever, Paul Harris, Robert Indiana, Robert Mallary, George Ortman, Lucas Samaras, Jane Teller, and Harvey Weinrib. 

 
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1960

Nam June Paik at Museum College of Art

1964

Performance

November 6th, 1964

November 6, 1964 Nam June Paik, Various performance pieces Museum College of Art, Philadelphia
Interview mit Gottfried Michael Konig in Magnum Nr. 47 (4/1964, Sondernummer Experimente, Cologne, p 25 – 32, 67
Moving Theatre No. 2; Fluxus Island Map; Half Time in Decoll/age 4 (1964), Cologne
Nam June Paik: Werke 1946 – 1976, Musik-Fluxus-Video, Kolnisher Kunstverein, 1976, p 21
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1960

Ed Bacon on the Cover of Time Magazine

1964

General Culture

November 6th, 1964

  • Ed Bacon
    http://content.time.com/

November 6, 1964 -Ed Bacon on the cover of Time Magazine, “ The City: Under the Knife, or All For their Own Good” 

During his tenure at the City Planning Commission Bacon and his staff conceived and implemented numerous large- and small-scale design ideas that shaped Philadelphia including Penn Center, Market East, Penn's Landing, Society Hill, Independence Mall, and the Far Northeast. The Center City Commuter Connection, a seemingly radical idea at the time, was conceived during the 1950s by Planning Commission staff member, R. Damon Childs, who succeeded Bacon as Executive Director.

Not all of the concepts that Bacon supported materialized. One proposal that he inherited from Robert Mitchell was to encircle Center City with a series of expressways, including the so-called “Crosstown Expressway” (I-695) linking the Schuylkill Expressway (I-76) with the Delaware Expressway I-95 via South Street. Three of the four expressways were built; however, the Crosstown Expressway faced significant local opposition and was never built. However, a different expressway was built at Vine Street.

Unintentionally, the Crosstown Expressway proposal depressed property values and rents on South Street, precipitating changes in the neighborhood's character from largely Jewish-owned garment stores into a thriving bohemia. Other concepts conceived during Bacon's tenure, such as Schuylkill River Park included in the 1963 Center City Plan, came into being many years later.

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1960

Blinky Palermo

1964

Painting

December 31st, 1964

Peter Heisterkamp while studying under Joseph Beuys with Sigmar Polke and Gerhard Richter in Dusseldorf, adopts the pseudonym Blinky Palermo after the Philadelphia gangster and Sonny Liston boxing promoter Frank “Blinky” Palermo. Beuys supposedly said Heisterkamp looked like Palermo when wearing a certain hat. 
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1960

Peale House

1964

Venues

December 31st, 1964

Peale House starts showing regional artists until 1978 when the Morris Gallery at PAFA is established. 
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1960

Crosstown Expressway

1964

City Planning

December 31st, 1964

A preliminary engineering report for the Crosstown Expressway by consulting firm Modjeski and Masters proposes an eight-lane depressed route though South Street. “The Crosstown Expressway will serve as an effective buffer zone separating the proposed redevelopment areas to the north and the incompatible land usages to the south.” This mirrored the Philadelphia City Planning Commission's “Center City Comprehensive Plan,” referring to the Crosstown Expressway as the southern boundary of the central business district. The Crosstown Expressway was to serve as an important traffic artery for the city's planned 1976 Bicentennial celebration.
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1960

Otto Piene at UPenn

1964

General Culture

December 31st, 1964

Otto Piene serves as artist-in-residence at the Graduate School of Fine Arts at the University of Pennsylvania replacing Piero Dorazio who is in Europe. Piene is there for four years before going to MIT as a Fellow at the Center for Advanced Visual Studies and later its Director.  In the summer 1964, Piene participates in Documenta for the second time. An invitation by Sam Green to show his work results in the first Zero Group exhibit in the United States.
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1960

Hitoshi Nakazato Moves to Philadelphia

1964

Painting

December 31st, 1964

Hitoshi Nakazato moves to Philadelphia to study at Penn. Studies with Dorazio and Ludwig Sander.
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1960

Sam Adams Green becomes the Director of the ICA

1964

General Culture

December 31st, 1964

Sam Adams Green becomes the Director of the ICA. The first exhibit under his directorship is 1943- 1953, the Decisive Years. January 14 - March 1, 1965.  The artists include Willem de Kooning, Franz Kline, Robert Motherwell, Barnet Newman, Jackson Pollock, Mark Rothko and Clyfford Still. Barnet Newman secretly curated the exhibit (Forty Years at the ICA, p 14)
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1960

David Hare teaches 1964

1964

Sculpture

December 31st, 1964

David Hare teaching as Visiting Artist fall 1964. PCA
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1960

Joel Dorn

1964

Music

December 31st, 1964

Joel Dorn produces 4 albums on Atlantic Records
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1960

Dr. Evan H. Turner becomes Director of PMA

1964

Venues

December 31st, 1964

Dr. Evan H. Turner became Director at Philadelphia Museum of Art
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1960

New York Studio School

1964

General Culture

December 31st, 1964

1964 Mercedes Matter and Louis Finkelstein start the New York Studio School at Broadway and Bleecker, NY with students from Pratt Institute and Philadelphia College of Art. One of the first students from Philadelphia College of Art was the sculptor Nancy Arlen. 
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1960

Bob Seger

1964

Music

December 31st, 1964

In the latter part of 1964, Del Shannon produced a demo recording session for the young Bob Seger. Shannon gave the sessions to Dick Clark and by 1966 Bob Seger was recording for Philadelphia's Cameo Records, eventually leading to a major-label deal with Capitol Records.
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1960

Main Point

1964

Music

December 31st, 1964

William H. and Jeanette Orndoff Campbell start the Main Point music venue at 874 Lancaster Avenue, Bryn Mawr. 
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1960

Wharton Esherick Art Alliance

1964

Exhibition

December 31st, 1964

Wharton Esherick Art Alliance
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1960

Scanga at RISD

1964

Sculpture

December 31st, 1964

Scanga teaches at Rhode Island School of Design meeting artists Richard Merkin and Hardu Keck. Begins correspondence with H.C. Westermann. Spends summers teaching at Brown University, colleague of Hugh Townley.
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1960

Rufus Harley

1964

Music

December 31st, 1964

Rufus Harley 1st jazz bagpipe musician debut – influenced after President Kennedy’s funeral (black watch)
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1960

Rochberg at UPenn

1964

Music

December 31st, 1964

After the death of his son from a brain tumor, George Rochberg finds serial music inadequate to express his grief and thus abandons seriality to become a Neo Romantic composer at UPenn. He has also been called a neoconservative postmodernist. With George Crumb and Richard Wernick they become a major force at the University of Pennsylvania and Philadelphia music.
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1960

George Krause Art Alliance

1964

Photography + Film

December 31st, 1964

George Krause Art Alliance
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